The Artful Dodger and Oliver
The Artful Dodger, whose real name is Jack Dawkins, is the first person Oliver Twist meets upon arriving in London, and he serves as Oliver's initial guide into the city's criminal underworld. Their relationship is fundamentally one of mentor and protégé, with the Dodger acting as a recruiter, trainer, and corrupting influence who introduces Oliver to Fagin's gang and the trade of pickpocketing. Through this relationship, Dickens dramatizes how the social system systematically turns destitute children into hardened criminals, while also using the Dodger's character to explore themes of survival, loyalty, and the loss of innocence.
Identity and Introduction
The Dodger is introduced in Chapter VIII as a "snub-nosed, flat-browed, common-faced boy enough" of about Oliver's age, but with "all the airs and manners of a man." He wears a man's coat that reaches nearly to his heels, has his hands thrust into his corduroy trousers pockets, and speaks in the cant slang of the London streets. When he first encounters Oliver sitting exhausted and hungry on a doorstep in Barnet, he addresses him with the casual familiarity of "Hullo, my covey! What's the row?" and immediately takes charge of the situation, buying Oliver food and drink at a public-house. The Dodger presents himself as a "peculiar pet and protege" of an elderly gentleman—whom Oliver later learns is Fagin—and offers Oliver lodgings for nothing, claiming to know a "'spectable old gentleman" who will provide shelter. Oliver, naively grateful, concludes that the Dodger is simply "of a dissipated and careless turn" and resolves to cultivate the good opinion of the old gentleman instead.
The Pickpocketing Incident and Oliver's Arrest
The Dodger's role as Oliver's corrupting mentor reaches its climax in Chapter X, when he takes Oliver out on what is ostensibly a work expedition. The three boys—the Dodger, Charley Bates, and Oliver—saunter through the streets until the Dodger spots an old gentleman at a bookstall. With a sudden stop and a finger on his lip, he draws his companions back, identifies the target as "a prime plant," and then, with Charley Bates, "walked stealthily across the road, and slunk close behind the old gentleman." Oliver watches in horror as the Dodger "plunge[s] his hand into the old gentleman's pocket, and draw[s] from thence a handkerchief" and hands it to Charley Bates. In an instant, the whole mystery of the handkerchiefs, watches, and jewels rushes upon Oliver's mind. When the old gentleman discovers his loss and sees Oliver running, he naturally concludes the boy is the thief, and the Dodger and Charley Bates join the hue-and-cry, shouting "Stop thief!" themselves to avoid suspicion. Oliver is caught, beaten, and taken before the magistrate Mr. Fang, where he would have been summarily committed to three months' hard labour had not the bookstall keeper intervened to testify that the robbery was committed by another boy. The Dodger and Charley Bates, meanwhile, have "filed off down the first convenient court they came to" and returned to Fagin's den, where they report Oliver's capture.
The Dodger's Philosophy and Attempts to Convert Oliver
After Oliver is recaptured by Nancy and Sikes and returned to Fagin's gang, the Dodger makes several explicit attempts to convert him to a life of crime. In Chapter XVIII, while cleaning the Dodger's boots, Oliver listens as the Dodger and Charley Bates extol the virtues of their profession. The Dodger declares, "What a pity it is he isn't a prig!" and later explains, "I am. I'd scorn to be anything else. So's Charley. So's Fagin. So's Sikes. So's Nancy. So's Bet. So we all are, down to the dog." When Oliver timidly says he would rather go, the Dodger scoffs, "Go! Why, where's your spirit? Don't you take any pride out of yourself? Would you go and be dependent on your friends?" He then produces a handful of shillings and halfpence, saying, "Here's a jolly life! What's the odds where it comes from?" and urges Oliver to "put yourself under Fagin" and "make your fortun' out of hand." The Dodger's most systematic argument comes when he reduces his philosophy to Oliver's level: "If you don't take pocket-handkechers and watches, some other cove will; so that the coves that lose 'em will be all the worse, and you'll be all the worse, too, and nobody half a ha'p'orth the better, except the chaps wot gets them—and you've just as good a right to them as they have." Fagin, who has entered unseen, corroborates this reasoning, saying, "It all lies in a nutshell my dear; in a nutshell, take the Dodger's word for it. Ha! ha! ha! He understands the catechism of his trade."
The Dodger's Arrest and Trial
The Dodger's own criminal career culminates in his arrest and trial for pickpocketing, which is narrated in Chapter XLIII. He is caught attempting to steal a silver snuff-box from a gentleman in a crowd, and when searched, the box is found on his person. At Bow Street police office, the Dodger conducts himself with theatrical bravado, demanding to know "what he was placed in that 'ere disgraceful sitivation for" and asserting his rights as an Englishman. He threatens to make a "parliamentary business" of it and claims his attorney is "a-breakfasting this morning with the Wice President of the House of Commons." When the magistrate asks if he has anything to say, the Dodger replies, "Not here, for this ain't the shop for justice," and warns the bench, "You'll pay for this, my fine fellers. I wouldn't be you for something! I wouldn't go free, now, if you was to fall down on your knees and ask me." He is committed for trial, and Fagin, upon hearing the news, consoles Charley Bates by predicting that the Dodger will be "a lifer"—transported for life—and that he will make a speech for himself that will convulse the court with laughter. The Dodger's fate thus illustrates the novel's theme that the criminal justice system, rather than reforming offenders, merely hardens them into more defiant and accomplished criminals.
The Dodger's Narrative Role and Significance
The Artful Dodger functions as a foil to Oliver Twist, representing the path Oliver might have taken had he not been rescued by Mr. Brownlow and the Maylies. Where Oliver is innocent, gentle, and instinctively moral, the Dodger is worldly, cynical, and thoroughly corrupted by his environment. Yet Dickens does not present the Dodger as inherently evil; rather, he is a product of the same social conditions that produced Oliver, but without the same opportunities for rescue. The Dodger's skill, confidence, and even his loyalty to Fagin and the gang are presented as adaptations to a world that offers him no other viable means of survival. His arrest and trial, narrated with a mixture of comedy and pathos, underscore the novel's critique of a legal system that punishes children without addressing the root causes of their criminality. The Dodger's final appearance in the novel—being led off to prison, still defiant and unrepentant—leaves the reader with the unsettling knowledge that he will likely spend the rest of his life in the criminal justice system, a fate from which Oliver, through the intervention of benevolent adults, has been spared.